SOMBRERO! t-v*CUFFORD KNIGHT — I Elsa chatBeld Is disinherited by her Aunt Kitty who died of an overdose of morphine. Bunt Rogers and Barry Madi son go to Mexico to solve what they be lieve to be Aunt Kitty's murder. On ar riving they find that Elsa’s party has preceded them by plane, games Chese bro Is murdered, Elsa’s father, Sam, meets death from the sword of a marlin when his chair breaks, toppling him Into the sea, and George Rumble is murdered and thrown into the sea near the dock. Rogers questions Berta, Sam’s wife, and on examining the quirt with which Elsa had beaten Chesebro discovers by twist ing the knob that it conceals the knife that kUled Chesebro. Now Continue. CHAPTER XVIII “In the presence of Senor Lom bardo and realizing the implication in it that you killed Chesebro?” For only a fraction of a second did she hesitate, then she answered calmly, “Yes.” Senor Otilio Lombardo, jefe del policia, came up the Orizaba’s lad der the next day but one, followed by Dr. Miguel Cruz. On the heels of the doctor came the barefooted, ragged mariachis, Felipe and Pan cho. “I have puzzled much, gentle men," remarked Lombardo in Eng lish after cigarettes had been light ed, "about the confession of Senorita Chatfield that she killed Senor Chese bro. I do not understand it, and I take no action. I had coma that evening persuaded that it was bet ter, despite your promise, that I keep Senor Barton in jail for the murder of Senor Rumble. But when Senorita Chatfield speak I am con fused, senor, and do not know what is best to do." A faint smile twitched at Rogers’ lips and he looked away across the bay to the shore where the coco palms seemed to shoot like bursting green rockets into the sky. "There are many confusing things in this affair, senor,” he remarked. “They have puzzled me too, but I believe that I can explain them all f? now.” “I would be very glad if you would.” “Four persons have died, Senor Lombardo—Katherine Chatfield in California; James Chesebro, Sam Chatfield and George Rumble, in Mexico. The explanation must in clude all four. It must be logical and there must be proof.” “Yes, of course,” said Rogers. “Sam Chatfield and his wife, Ber ta, arrived in California for their annual visit a year ago last winter. They stopped at a hotel in Pasa dena, and, uninvited, went to spend the night with his sister, Kather ine—Elsa’s Aunt Kitty. That night Katherine Chatfield was murdered. The method used was an overdose of morphine, to which drug she was an addict, taking it hypodermically. A very faint odor of chloroform de tected the next morning by only one investigator furnishes the single clue to what happened. A few drops of ' chloroform on a handkerchief, I be lieve, suddenly held to the unsus pecting victim's nose, and kept in place during the brief and violent struggle which probably followed, and the victim was unconscious. There was necessary only to load the hypodermic with an overdose of morphine 4nd shoot it into the unconscious victim, wipe away all fingerprints from the syringe and the supply bottle, and press the prints of the victim on these things. Simple?” “It is most simple, Senor Rog ers,” said Lombardo, a serious ex pression upon his round, brown face. “Either a man or a woman could have done that, senor,” Rogers be gan again. “Now, consider these facts: Present in the house, besides the servants, who do not figure in it at all. was Sam Chatfield. He knew that his sister was the mother of a child. He knew that she not only had refused to acknowledge the fact, but had permitted his daughter. El sa, to be cruelly slandered, and not only had done nothing to quiet the gossip, but most likely had been in strumental in circulating it. “Also in the house that night was Elsa, who openly and frankly at all times, as you heard the other night, ~*%as admitted that she hated her aunt. Besides these two there was Senora Berta Chatfield, who ever since she married Sam had resent ed the treatment given her by her sister-in-law, and who, as a wife, knew how her husband felt toward Katherine Chatfield. “There, Senor Lombardo,” Rog ers continued, “I have named three persons with motives to kill and ob viously with the opportunity to do so. But there were others that night who came and went. George Rumble, who had done some pub licity work for Katherine Chatfield, came to receive his pay, which was refused him. There was an argu ment and hot words, and Rumble left. But he remained in the neigh borhood uncertain whether or not he should return. Did he go back and kill her?” Rogers was developing very logi cally the facts in that first slaying, and Lombardo followed his words closely. Doctor Cruz sat smoking cornhusk cigarettes endlessly, his eyelids making mere slits for his eyes. Neither spoke. “That night, also,” Rogers went on evenly, "Reed Barton was at Katherine Chatfield’s home to give her a book sent by Chesebro. Reed has been very frank to admit that his father’s death—a suicide—can be laid at the dead woman’s door. A little leniency shown in a critical time would have saved his property for him. Did Reed Barton kill her? "James Chesebro arrived and de parted that night; we do not know why, the reason for his visit never having been explained before his death. Did he have some motive to kill the woman? Next came Dwight Nichols.” Rogers nodded in Dwight’s direction. The latter mere ly sat and smoked calmly, listening without offering to interrupt. "Dwight Nichols profited by some two hundred thousand dollars at the death of Katherine Chatfield, be cause of some jointly owned proper ty. Dwight has stated that he was summoned, for some reason un known to him, to advise with Miss Chatfield. Margaret Nichols was jealous of Katherine Chatfield, be cause she feared her husband’s love was being stolen from her. She, also, made a visit that night. How ever, Mrs. Nichols says she got only as far as the entrance hall when someone dashed out of the house in panic, someone who, she says, did not see her concealed behind some drapery. That person admittedly “And finally, there is Elsa,” said Rogers thoughtfully. was her husband. Dwight Nichols says that he arrived only to find Katherine Chatfield dead. Is he tell ing the truth? Is his wife telling the truth; did either, or both, of them kill the woman?” Rogers halted to sip from his frosty glass. “It is all very strange, Senor Rog ers,” said Lombardo, stirring un easily in his chair. “How can you discover the truth in so compli cated a case?” Rogers smiled faintly, and I thought that there was the merest twinkle in his mild blue eyes. “If,” he began again, “we exclude from suspicion all those persons who sub sequently died by violence—Chese bro, Sam Chatfield, George Rumble —as victims of and not themselves the probable killer, whom have we left?" He glanced from Doctor Cruz to Lombardo, then named them: “Elsa Chatfield, Senora Berta Chat field, Margaret Nichols, Dwight Nichols, and Reed Barton. Those fivp "Now, then,” Rogers said, a crisp ness coming into his voice, “we come to the death of James Chese bro. Of these five who could possi bly wish him to die? Senora Berta Chatfleld? I can think of no reason; I know of no motive, in fact. On the other hand. Reed Barton and Chese bro quarreled with each other over the love of Elsa Chatfleld. Chese bro had discharged Barton from his employ. An excellent motive,” he commented. “But—Dwight Nichols had been defrauded by Chesebro of fifty thousand dollars in a mining deal. That is a lot of money. Men have been murdered before now for much less, Senor Lombardo. And how about Margaret Nichols, the wife? Again fifty thousand dollars is a lot of money—to a woman.” “Yes, of course, much money," murmured Lombardo, absorbed in his own mental processes. “And, finally, there is Elsa,” said Rogers thoughtfully. “Hers is a stronger motive than all the others put together, senor. A young wom an's good name is her most valuable possession. You are Mexican, and can understand the word revenge. Elsa was willing night before last to permit the inference that she had killed Chesebro. Senor, is Pedro, the pulque seller, a lying scoundrel who seeks to protect a woman, or does he tell the truth when he says that Dwight Nichols is the one who killed?” Lombardo's face was puzzled; he was now hopelessly at sea. A frown had gathered on the forehead be tween the slitted eyes of Doctor Cruz as he followed the intricacies of the problem as set forth by Rog ers. As for Rogers, I could not escape the conviction that he was enjoying himself hugely at the ex pense of Lombardo. His face, how-j ever, was more solemn than that of | a judge. Lombardo started slightly at Rogers' question. ”Yo no se, senor,” he admitted, reverting to Spanish in his confu sion. "I think, Senor Lombardo.” said Rogers, dropping with a smile into Spanish, “you will let Pedro out of jail when I finish telling you who is the guilty person.” Lombardo’s only response was an involuntary lifting of the eyebrows. “However,” Rogers took up again in English in a more serious vein, “the name of the guilty one must wait a few minutes longer. I will come to it at the proper time. But now let us look for a moment at the death of Sam Chatfleld. His is the most puzzling in the entire series. So much seems accident, so little may have been the handiwork of a murderer. A nut had come un screwed from the swivel mechanism of the chair in which Sam sat in the launch. If the chair had not collapsed, there is little likelihood that he would have fallen overboard, probably none at all. Did some body remove the nut? There was opportunity to do so for everybody who went on the fishing excursion, and even for George Rumble, who did not go. All of us, except the women members of the party, knew beforehand that Sam Chatfleld would sit in that chair when we went after marlin. “And, yet, I know ol no motive upon the part of anyone for the death of Sam Chatfleld. Of course, one never knows what’s between a husband and a wife. Did Senora Chatfleld have some motive un known to us, and did she learn in some manner which seat her hus band would occupy on that fatal ex cursion in the launch? But—let’s drop Sam Chatfleld’s death for the moment, and go on to George Rum ble’s. I think that in it we will find something of interest—perhaps the key we are seeking.” Lombardo shifted in his chair and looked away for a moment to the tall towers of the church. Doctor Cruz crushed out the spark in his cigarette under his heel, and for a moment his hands were idle. The mariachis were growing restless, understanding nothing that had been said in English. Reed Barton sat easily with legs crossed, and Dwight continued calmly to smoke. “There are motives recognizable in the death of George Rumble,” Rogers began once more. “For Margaret Nichols there was no op portunity. Senora Chatfleld has ad mitted she went to the wharf that night to find someone to send for her husband’s fishing equipment, j Felipe and Pancho went on that er rand for her. She returned to the yacht. She asserts, however, that she did not see Rumble, who was murdered on the wharf that night. There was a motive for the murder of Rumble on the part of Dwight Nichols; he and Rumble quarreled only a short time before Rumble died. Rumble knew that Dwight was the man who rushed in panic out of Katherine Chatfield’s house the night she was murdered; he held it over him, as it were, and Dwight believed it was for the purpose of blackmail. After the two separat ed, Dwight, in the presence of Bar ry Madison, Sam Chatfleld and me, made a remark which could be in terpreted as a threat. He said that he would have to manage some way to quiet Rumble definitely.” Dwight was unmoved by this re cital; he tapped the ash from his cigarette and continued to gaze calmly at Rogers. The latter paused to sip his glass of limeade before he went on. "Another motive, not so strong, perhaps, is one that can be assigned to Reed Barton. George Rumble had fallen in love with Elsa. You knew that didn’t you, Reed?” •'Yes.” ‘‘Again, Senor Lombardo,” said Rogers, turning back to the chief, “love is a possible motive. How ! strong? How shall it be evaluated?” He paused only briefly. “However, j there’s a very definite motive, and I think the real one, to account for Rumble’s murder — Rumble knew too much. He boasted that he knew who the killer was. What, in that case, will a murderer do? He will strike at the first opportunity, for he prizes his safety above all else. And that’s what happened.” Lombardo stirred uneasily in his chair. “Who, Senor Rogers,” he asked, “heard Senor Rumble boast that he knew the murderer?” “Barry Madison, Sam Chatfield, Dwight Nichols, and I.” "So?” Reed Barton shifted his feet and cleared his throat lightly. “I shouldn’t be left out. Hunt. Rumble hinted very broadly to me that he knew who killed Chesebro, then closed up like a clam when I asked him about it.” Rogers looked at him sharply, as if to determine whether the state ment was made in a vein of bra vado, or because he wished to be helpful. For a moment he was silent and then appeared to shift his ap proach to the problem of Rumble’s murder. (TO BE CONTINUED) HOUSEHOLD MZMOS... .... .. Midwinter Jellies Pep Up Menus! (See Recipes Below) Get Your Spreads! Are you low on brown points? Then set the jelly and jam kettles boiling with midwinter fruits and make some delicious spreads to save points. Last summer when homemakers were putting up their fruits they dis covered they did not have enough sugar for putting up all the jams and jellies they * would like, but ^ now they have probably caught up on the sugar and can boil the juices they saved into delicious, quivery jellies. Use the jellies and jams on biscuits and muf fins when the butter is scarce. It spells first aid and appetite appeal to menus. For those of you who did not put up juices for winter jelly-making, there are plenty of fruits in season now that make delightful spreads. Out with the kettles and colanders, with jelly glasses and paraffin and here we go: Orange Marmalade. (Makes 6 6-ounce glasses) 3>4 cups prepared fruit (about 1% pounds) Z'A cups sugar 1 3-ounce box powdered fruit pectin Prepare fruit. Use peels from 6 medium-sized oranges and 2 lemons. Cut in quarters. Lay quarters flat; shave off and discard half of white part. Put peels through chopper twice. Add 1 cup sugar, 2*6 cups water, juice from 1 medium-sized lemon and ^ teaspoon soda. (This 1 cup sugar is in addition to meas urement given above.) Cover. Heat to boiling. Simmer 30 minutes, stir ring occasionally. Measure sugar into dry dish and set aside until needed. Measure prepared fruit into 3 to 4-quart kettle, filling up last cup or fraction of cup with water if necessary. Place over high heat. Add powdered pectin, mix well, and continue stirring until mixture comes to a hard boil. Pour in sugar at once, stirring constantly. Con tinue stirring, heat to a full, rolling boil and boil hard 2 minutes. Re move from heat, skim, pour quick ly. Paraffin hot marmalade at once. Honey Orange Jelly. (Makes 6 6-ounce glasses) 1 cup juice 3 cups honey % bottle fruit pectin To prepare juice, squeeze and strain juice from 2 medium oranges. . Measure juice ana noney mio a large saucepan I and mix well. Heat to boiling over high heat and at once add fruit pectin, stir ” ring constantly. Then heat to a lull rolling boil and Lynn Says .felly Hints; Consistency and flavor are the most important points in making jelly. Careful cooking can give you a high score on both. To jell, fruit juices must con tain pectin or must have it added from a commercial product. Pec tin must be combined with the correct proportion of sugar in the presence of acids and mineral salts to form jelly. Prolonged cooking destroys the power of pectin, especially in the very acid fruits. This is the rea son that no more water than nec essary should be used in cooking the fruit. Best jellies are tender and quivery and translucent. They should cut easily but break with a clean, sha^p line. Save Used Fats Lynn Chambers’ Point-Saving Menu Dinner Complete Lettuce Salad with French Dressing Bran-Raisin Muffins Jelly Baked Apple Oatmeal Cookies Beverage boil hard % minute. Remove from heat, skim, pour quickly. Paraffin hot jelly at once. Grapefruit Marmalade. (Makes 2 to 3 pints) 1 grapefruit 1 orange 1 lemon Slice fruit very thin, remove pulp from peel. To each pint of pulp, use an equal quantity of water and IVt times as much sugar. Let come to a boil. Remove from fire, let stand overnight. Boil the shredded skins of the fruit in twice their bulk of water until tender, then let stand overnight in the water in which they were boiled. On the next day, heat the skins to the boil ing point, then add pulp mixture and boil rapidly until thick enough to congeal when tested. Pour into sterilized glass jars and seal. If you can spare a few points for the crushed pineapple called for in this recipe you can make a colorful and tart jam that will delight the family no end: Winter Jam. 3 cups cranberries I cup diced apples 1V4 cups water 1 cup crushed pineapple 3 cups sugar Juice and grated rind of 1 lemun Cook the cranberries and apples , in water until they are clear and | leuuer. nuu uie lemon, pineapple and sugar. Mix well and boil the mixture rapidly until it is thick and clear. Pour into sterilized glass jars and seal at once. Colorful and spicy is this next jam with all the relish and tang that only cranberries can give: Cranberry Jam. 8 cups cranberries 1 cup each, water and vinegar 6 cups sugar 1 tablespoon ground cinnamon % tablespoon ground cloves 14 tablespoon ground allspice Mash cranberries lightly. Add vinegar and water and cook until soft. Put through a coarse strainer; add sugar and spices. Cook 8 min utes, stirring constantly. Pour into sterilized jars and seal immediately. And now for those of you who have bottled grape juice on hand. Here is an excellent jelly that is quickly made with powdered fruit pectin: Grape and Orange Jelly. (Makes 7 6-ounce glasses) 314 cups sugar 114 cups bottled grape juice 114 cups canned orange juice 1 box powdered fruit pectin Measure sugar into a dry dish and | set aside until needed. Measure , Juice into a 3- or 4-quart saucepan and place over hottest fire. Add powdered fruit pectin, mix well, and continue stirring until mixture comes to a hard boil. Pour in sugar at once, stirring constantly. Bring to a full rolling boil and boil hard Vs minute. Remove from fire, skim, pour quickly. Paraffin hot jelly at once. If you want sugar-saving suggestions, write to Lynn Chambers, Western News Itaper Union, 210 South Despluines Street, Chicago 6, Illinois. Don’t for get to enclose a stamped, self-addressed envelope for your reply. 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Some of the transfer designs are large and some are small. • • • NOTE—You will enjoy making articlea embroidered with these quaint colorful Mexican figures. There are more than twenty on this hot iron transfer sheet—all different and all easy to do. Price 15c. Order No. 203 and It will be mailed Im mediately upon receipt. Address: MRS. RUTH WYETH SPEARS Bedford Hills New York Drawer 10 Enclose 15 cents for Transfer No. 203. Name . Addresa . Barbara Bell Pattern No. 1903 Is de signed for sizes 12. 14. 16. 18 . 20 : 40 and 42. Corresponding bust measurements 30, 32. 34 . 36 , 38. 40 and 42. Size 14 (32). with long sleeves, requires 5% yards 35 or 38 lnch material. SEWING CIRCLE PATTERN DEPT. 530 South Wells St. Chicago Enclose 20 cents in coins for each pattern desired. Pattern No.Size. Name . Address .. Next Question, Please! During a question period follow ing a lecture, a man arose and put a foolish query to the speak er. 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