TTIEOMIIA 8UNDAY BEK: JANUARY 23, 191.
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Hot of fun on lh U(r, bt irhen rlr
ciimtanora tK thrm twhlnj thr inw,
th chnroa la prwnt to lend a klelJ
ooplo dh of color to th ttiM( p(etur.
and to King (b latKt metropolitan hl'a
or whirl and ulida In new dancea. A
production of beauty bus bon provided,
with an excellent rompanjr beaded by
1w H Hon and lister Allen, wnoae
nfitnea are familiar to devotaea of bur
Iodine. ( In ttie aitpiirtlng company aro
Bob F.vunn. Ianrea fit. Clair, Bale
Venow. iR.iney A Olbnon, and Pavo.
Today matinee aliria at 1 o'clock.
.
The American dfwut of Clccolinl, the.
! gfnl Ital.an trnoi. marka one of th)
meet Important hiunlcal event of the
acaon. lie comes to the Orntietrm thla
week aa th alHIar attraction. The
atory of t'lcollnl a career la very unllka
that of moat aitl.ta. for the ratet
obetar-le In h a path waft wealth. Il had
a hard airufigle to Overcome the con
arvatlv tradltiona of MR old Roman
pMilrl.tn family when h decided to be
come alnaer. Harry Gren la present
In a character farce by Aaron Hoffman,
"The Cherry Tree." The. one-act play U
a inorai diFxulaed In - comic attfre.
"Nlftj noneenae" 1.1 tha name of the
iik It to he offered by Jamea Diamond and
Klbl Brennnn. "The Call of tha Bix
tlca," a musical, lnelant offered by
ajdlut and Lillian iH' t, cuuabie
banjolsts. One of the boat dramatlo
p:oodea aeen on the vaudeville stage l
the tale of a crook, a play called
Btralght." It will be given by Arthur
Sullivan, who la supported by a capable
company. Valentine and BiJl have an
act called "The Fumltura Removers.'
The team la made up of a man and a
woman who are bicycllsta of an unusual
aort. With an offering that la original,
Stevens and Kalka will make their local
bow. For the exclusive feature of mo
tion pictures the Orphaura Travel Weekly
la to show horse breeding farina at
Perche, In the valley of the Orne,
France, and will also give vlewa tt tha
narrow passes of the Tarn river in
France.
' Fhone Dooflae 494.
TIIK IlICST OF VAl IKVILI,K.
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WEEEiSTARTINGSUN., JAN. 23
FIRST AMERICAN TOUR
JNJ
FAMOUS EUROPEAN GRAND OPERA STAR
Leading Tenor of the Royal Grand Opera Parle. London, Milan, Brnaaela,
t'etrcgrad, Warsaw and Odessa
JAMBS
CIBTIi
la "Iriftrnoaeenae.,, v
ARiiiuiTsiiLivXcT
In "Straight"
A Comedy Dramatic Ta'e of a Crook
steWsITfalk
D'y Froteaa Kovelty
DANS LILLIAN
CLAUDIUS & SCARLET
Presenting- a Mnaloal Melange,
"THB CALL OP TaTB BIXTTX8''
VALEHTIHE & DELL
The larnltnre Bemorers
OHI'HKIM TItAYKL wilEKLY
Around the World with the Orpheum
Circuit's Motion l'icturo
11iot:rnih-rs,
HARE..Y' GREEN St CO.
la th Wovelt j Bkit,
VTHE CKES1RY TREE"
PBICESt
MnticGiilJtry I0ot tt Befit. 25c (xopt Saturday and Vtutw
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. PPROACIUNO Is one of the
rt-any Important episodes In
Omt'ia'i annals of the theater
the engagement of Blr John
at on Forbes-Robertson, who
will aDDear at tha Pnvt thea
ter next week for ao engagement of four
performances. On Monday night, Janu
ary . be will play "Hamlet;" on Tuea
day evening, "The Light That Felled."
with Blr Johnaian aa Dick Heldar; at the
matinee on Wednesday. "Hamlet" again,
and for Wvdnofidny evening, "The Pass
ing of the Third Floor Hack." The natu
ral importance of thla engagement U en
hanced by the positive assurance that
thla la really Forbes-Robertson's farewell
tour. He has already aatd goodbye to
h stage In England, and last aeaaea
made a partial tour of America, playing
In aome of the larger cltlea. In each with,
the firm announcement It waa lila last
appearance there. His tour waa continue
this season, cities not Included In last
year itlnerry being visited. When he
completes "hia -trip he will have pretty
well covered the country, and will have
hown his grent roles to a vast multitude
f people, all of whom will have regret
at the thought that he has determined, to
withdraw rroin the stage au4 ait no
more.
Forbi s-Iiubertson gives as a reason hla
rtonlre-to -Quit" the play before hla pow
era Imve waned. He has a drad of the
lime when he may "linger auperfluoug
on the stase," and rather Intends to fol
low tho-areut fialvlnl Into retirement than
to accept the example of our own be
loved Juffi ieon. and plaj on till the end.
In some ways be ha taken a page from
It. book t.t art In which Richard Mans
field wrote -his name ao large, but t
not following It to finality. Mr. Mans
field took his art to the people; he might
easily have, employed his time In one
or two of the targe rltlee or Hie country;
but nwny, many thousands or Americans
rherish memories f that aplrr.dld actor
who would not have Been him had he
sought the luxurious life of a pampered
fsvorlte ,rttt her" than the less attractive
xistenre. of .the strolling player. Rut
Mr. Mansfield, felt ha had a mission, to
alve his best to the people, who could
be readied only at the sacrifice of some
peraonal comfort. So he made hie annual
tour.aiid even when he felt the touch
of death on Ills shoulder, he persisted in
his devotion to bis self-appointed taak,
and, alt.iouRh he thereby hastened hli
end. !e' wetit on with a thought of duty
that simtKlntd him through It ell. And
In this verr quality renldes much of the
siestrsa of Richard Mansfield. William
If. Crane Is another eminent American
who baa earned the great talent he pew
ses Into all the corners of the country,
and who hss persisted to the utmost of
bis stienirtli In his Joyous errand. It Is
not Medd to recall here the end that
aiise to lireuce Barrett, to Edwin
tinoth's dfvollon to his art. to Frank
I iiyo, to I'Imv Clement, to Kyrle Dellew.
r to ey others of the host who have
praotl.sily njet Axrael with the grease
paint j a oil tneir faces. In any one of
tl.em nu.y b?' found an Inspiration to
work till the -nd. And among the llv
lng. ht better example could be cited
tl,n cf l: i -i.hardt. who. deprived of one
leg. yet contemplates a tour?
TVs an't Intended to be a necrologl
'! rc .Td. though; It was merely to re
i.niti ti, j.sdcrs of this department that
tiie an Luiuiukl drairtatlc menu la being
pruand for them. Forbes-Robertaon haa
a -..! irter that la about as far away
friTi the phiUsujhio Dill! priaoa a
ou!d wrll Us found la polite literature,
eod f r trui tt.ird play, fee gtvea us aaln
t ,e r-rt!e lv.'avBy tn that eurloua eon-f'i-':-
n. "ne rasatng of the Third Floor
luck." moral la ao plainly eeen
and n r ;::y rjo'ecled.
T?:e ' Te. loar Jarket." whh h Mr. arid
Vr. r, .( n !.l preaent at the Brandris
n i . ".ruary 3, and a. Is a play by
.f-ij r. ;f,.titn and l'enrluio, dene
,n ' ' manner. When It was
' "I ' ' i "! years ft-o in New York
. w fe ( " i.g a iiunli to the ao-j
J
f
p
f
j
Hiss Edna 2barie
phlstlcated band of first -ntghtera of Man
hattan as It atnee haa proved to audiences
In other centers. For "The Yellow
Jacket" la wholly unlike anything the
Occidental stage, haa ever seen.
There never waa any doubt of Its tr
tuitlo success. It waa immediately pro
claimed by the critics a work of great
artlatlo worth, and when the publtn did
not flock to eee It. following the first
impassioned outburst of the reviewers, a
number of literary men of New Tork
constituted) themselves a flrst-ald band
and Issued a round-robin, urging all In
terested In the uplift of the stage to see
It. The Drama league, too, bulletined
the play. Then the publto rushed to see
It and these unuaual reoommendatlona
resulted In productions of the play In
licndon,. Berlin, Munich, Vienna. Buda
ptsth, Moscow and other European
cities. - -
The atory of "The Tellow Jacket- la
a world-old tale of young love thwarted
and then triumphant. It is simple, naive,
mboUo and touched vrlth the charm
and poetry of authentlo legend. It la
beautifully acted, too. It tells us more
about China then a thousand missionary
rr porta or learned books by vtelttng sav
ant. It teaches us, by its manner of
presentation, what an utterly conven
tional thing our present-day aoenery
after all U. Finally, and beat. It lives
tit genutne theatrical pleasure, the pleas
ure of novelty, of good acting, of un
folding story. It to a production nobody
can afford to ml.
Bldney Davies, light corasdlan who
plays the humorous valet In the famous
music comedy "Adele." which cornea to
the Brandeia on February for an en
gagement of four days, la a mining en
gineer, has Iwen In every country on
the face of the globe, is a remarkable
mtmle. can reproduce the sound of any
animal from the singing of the canary
to the roar of the Hon. la a lecturer of
no mean order, a soldier, a carpenter, a
seaman, A.B.; a singer with a splendid
voice, a humorist of the first order.
At .the Boyd for two ulguts and mat.
Inee, February 11 and 11. May Irwin will
present her latest play. No. S3. Washing
ton square. Mr. George Clark, an
Omaha boy, la her leading Juvenile.
A
Cohan and Harris7 farce. "It Pays to
Advertise," will be presented early next
month at the Rrandcla theater.
Lew Hilton -Mm Gdfefy
east In one of the Important part. Others
are Mlgnon McQlbeny. Helen Clarke,
Charlea Judols, George Lydecker and Carl
Lylo.
An occasion of nfoment In local the
atrical hlfttory will be the aooompUsh
ment today at the Empress of Its third
year of consecutive performance under
the present management. Three years
ago today tbe present policy was
brought forth and carried on successfully
to the present day. To commemorate the
day the tnprosa theater will give Its
patrons one of the beat vaudeville bills
obtainable. In addition to tha vaudeville
the first episode of "The Strange Case
of Mary Page," will be shown with
Kdna Mayo and Henry B. Waithal, late
star of "the Birth of- a ' Nation." Harry
Hayward and company, in "Tho Firefly,"
will be the feature gut. It la a little
playlet of a working man and two girls
and foil of real Incidents. - Prince and
Dearie, )he college boy and the maid,
a eomedy talking and singing act. Alice
Hamilton, all by herself, deplots a pep
pery old lady with such lifelike colors and
such unctuous humor, that the audienoe
Is for her unanimously. The Harms trio
or clever entertainers In their peculiar
weya. The photo pictures will be "A
nrklegraphlo Tangle," a (Sidney Drew
eomedy and full of life; "A Freniled
Finance," a broker's story; closing with
Sellr-Trlbuna Weekly No. . "Mary
Page" will be shown after each vaude
ville show.
With the "Million Dollar Dolls." that
noted burlesque organisation, which la
considered one of the beat attractions of
the season, at the popular Oaycty, this
week, admirers of musical burlesque
have an opportunity to enjoy burlesque
de luxe, aa. exemplified In a musical
eomedy, "Hotel do Gink." Crlapneaa,
snap, and go are emphasised . by the
producers and the company. Most of the
time tha comedians are furnishing a
The repertory from whloh Clccolinl will
select his program at each of his four
teen recitals at the Orpheum, starting
Sunday, January S3, Is ' as follows:
Voleete Aida" ("Alda"), "Clelo mar"
("Oloconda"). "L Donna mobile"
(Rigoletto"), "Flower Bong" (Carmen"),
"Aria" ("Masked. Ball"), "Romania"
("Traviata"),. "L Reve," "The Dream"
("Manon"). in French; "Elegls," by
Maaaenet, in French; "Claire de lune,"
by Sxule, In French; "Romance," by
Debussy, In French; "Serenade," by
Schubert, tn German; "Mamma mla" and
Marecchlara," Neapolitan songs; "Un
til." by Sanderson. In English. Stgnor
Ciocollnl will endeavor to comply with
the desires of hi audlenoes in arrang
ing his program. The orchestra .will be
under direction of Carol Edwards, who
-was th first American grand opera con
ductor In Italy.
- - .... - . . .
Homer J. Kenyon s dramatisation of
Bertha M. Clay's story. "Thorns ana
Orange Blossoms," will be the offering
of the North Bros, stock company, at
the Krug theater, for the week starting
matinee today.' It Is generally know that
the atory teems with human Interest.
Mr. Kenyon'a adaptation for th stag
brings out the strong situations la a
striking tnaanar. Th usual scale of movie
price will obtain for th weak and re-
sorved seats for entre weea win te on
sal today. Family matinees will be given
bn Thursday and Saturday. Th poatay of
politeness goea on forever at th Krug
and . each succeeding; week finds the
North players stronger In the hearts of
Omahans. Th Chicago Ladles' or
chestra will have another program of
zonular- musio. Ann Henderson, will
make her debut with th company today
In , a leading role. . Miss , Henderson
comes well reoommended to Omaha,
having been a member of several well
known stock companies. She will be a
strong addition to the company.
B0YD--3 DAYS, SMo JAIL 31
KATSNCE WEDNESDAY AT 2 P. M. SHARP
SEATS NOW ON SALE
FAREWELL
OF
rOBBES-
BOBERTSOEI
(Positively His last Vialt to Omaha,)
m LONDON COMPANY
Rights tow.r Moor, $3.00 and I1.SO.
: BaJoony 1.60, $1.00, 75o; OaUery. 60c
Mattn r.ower Floor, gl.90 and $1.00.
Balcoy--S1.00, 76c, too. Oallery, 60c
' KOVDAY, 8 P. M.
Wednesday Matin
H A M LET
TtTESDAT WIGHT
THE LIGHT
THAT FAILED
WXOKESOAT WIGHT
PASSING OF
THE THIRD
FLOOR BACK
Johnston Forbes-Robertson as
Appreciation by England's
"Nobody Home." that successful niu
slceJ farce direct from a run of six
month la New Tork and four montha in
Hoaton and Chtrago. will be presented by
1". Ray Comctock and Elisabeth Mar
bury at th Boyd theater for three nlgbu,
ttirtiiBJng Sunday, February a, tth the
original company headed by I.ewreuce
GroJwmlth. wMl-known Kngllnh comedian,
kllldred Klalne will play the leading femi
r.hie role ami Maude Udiili for a num
ber cf years a faovrlte iu tui vtty, U
By r.KUH(.U BERNARD I1IAW.
Forbes-Iiobertoon Is essentially a clas
sical actor. ' What I -mean by classical
Is that he can present a dramatic hero
aa a man whose passions are those whloh
hav produced the philosophy, the poetry,
the art, and the statecraft of the world,
and not merely thoae which hav pro
duced Its weddings, coroner's Inquests
and executions. And that Is just the sort
of an actor Ilamlot requires. A Hamlet
who only understands his love for Ophe
lia, his grief for his father, bis vlndloa
ttve hatred of his uncle, his fear ef
ghoat. his Impulse to snub Rosenorants
and Uulldenstern, and th sportsman's
ercltment with which he lays th "mouse
trap" for Claudius, can, with sufficient
force of virtuosity of. execution get a
great reputation In the part, even though
the very Intensity of his obsession by
the sentiments (which are common not
only to men but to many animals), shows
th chat-act erlst to side of Hamlet, tha
sld that differentiates him from Fortin
braa, la absolutely outside the actor'
consciousness, Buch a reputation Is th
aotor's not Hamlet's. Hamlet Is not a
man In whom "common humanity" la
raised by great vital energy to a herolo
pitch, like Coriolanua or Othello. On th
contrary, he la a man In whom the com
mon personal paiislons are ao superseded
by wider and rarer Interests, and so
discouraged by a degree of critical self
consciousness which makes the .practical
efficiency of the Instinctive man on
the lower plane impossible to him,
that he finds the duties dictated by con
ventional revenge and ambition as dis
agreeable a burden as commerce Is to
a poet. Kven hla instinctive sexual im
pulses offend hla intellect; so that when
h meets the woman who exoltes them
he Invites her to Join him In a bitter and
aoornful criticism of their joint absurd
ity, demanding "What ahould such fel
lows as I do crawling between heaven
and earth?" "Why would'st thou be a
breeder of sinners?" and so forth, ail of
which Is so completely beyond the poor
girl she naturally thlnka him mad.
And, lnJoed, there la a sens in which
Ilumlet Is Insane; for he trip over the
mistake which lies on the threshold of
iutellectual aelf-oonsctoutneaa; that of
bringing to utiiaiian o Hendonlstlo tests,
thus treating It as a means Instead of
an end. Hecauae Polonlous is a "foolish
prating knave," beoaus Itoaenorans and
Uulldenstern are snobs, he kills them aa
remorselessly as he might kill a flea,
showing that he haa no real belief la th
superfluous reason which be give for
mot killing himself, and. la faot, eatk-1-patlng
exactly tbe whole course of the
Intellect ual history of western Europe
until Schopenhauer found th clue that
Shakreptara niUaed. But to call Hamlet
mad bot ause lie did not anticipate Bchop
enhauer is like railing atart-ctlvia mad be
rkun) ke did not rrltr the Ghoet to tbe
l'hyclii'til eoMvty. It U, In fvl, not p e
slble for and actor to represent Hamlet
as mad. He may (and generally does)
combine some notion of his own of a man
who Is the creature of affectionate sen
timent with th figure drawn by th line
of Shakespeare; but th result Is not a
madman, but simply one of thoae mon
stem produced by th Imaginary com
bination of two normal species, suoh as
sphinxes, mermaids, or oentaura. And
thl U th lnTartabl resource of th In
stinctive Imaginative, romentla actor.
Too will see him weeping buckets-full of
tears over Ophelia, and treating th
players, th gravedlgger, Horatio, Rosen
orants and Oulldenstern as If they were
mute at hla own funeral.
But go and watch ' Forbes-Robertson's
Hamlet, selling delightedly en every op
portunity for a bit of philosophic dis
cussion or artlatlo recreation to escape
from th "cursed spite" of revenge and
lov and other common troubles; see
how h brightens up when the players
came; how he tries to talk philosophy
with Rosenorants and Oulldenstern the
moment they come Into the room; how
he stop on hi country walk with Horatio
to lean over th church yard wail and
draw out th grave digger who he sees
singing at hla trade; how even his fits
of excitement find expression In declaim
ing scrap of poetry; how the shock of
Ophelia's death relieves Itself In the
fiercest intellectual contempt for Laertes'
ranting whilet an hour afterwards
when lAertea sabs him, he bear no
malice for that at all, but embraces him
gallantly and comradely, and how he dies
as w forgive everything to Charlea II
for dying, and makes "the rest Is silence'
a touchlngly humorous apology for not
being able to finish hi bualnesa. Be all
that, and you hay seen a true and clas
sical Hamlet. Nothing half so charming
has been see by this generation. It will
bear seeing again and again.
And please observe that is not a cold
Hamle-t. lie la none of your logicians
who reason their way through the world
beoaus they cannot feel their way
through It; hla intellect la the organ of
hla paaalon; hi eternal self-crltlclam is
aa alive and thrilling as it can possible
be. The great soliloquy not I do not
mean "To be or not to be;" I mean the
dramatic one. "Oh. what a rogue and
peasant slave am II" la as passionate
In Its scorn of brute paaalon as th most
bull necked affirmation or sentimental
dilution of It could be. It eotne out so
without violence; Forbes-Robertson takes
the part quits easily and apontaneoualy.
The lines help Forbes-Robertson Instead
of getting In his way at every turn, be
cause he wants to play Hamlet, and not
to slip Into his Inky dock a changeling
of qvitt another rae. It la wonderful
how easily everything come right when
you have the right man with the right
mind for It-how the story tells Itself,
how ti e characters come to life.
r'oi bts-ltuiei taon'a performance has a
Hamlet:
Greatest Critic
continuous charm, Interest and variety,
which are th result not only of hly
well known familiar grace and accom
plishment a an actor, but of a genuine
delight the- rarest thing on our stag
In Shakespeare's art and a natural fa
miliarity with th plan of his Imagina
tion. He does' not super stlUoualy wor
ship William: fc enjoys him and un
derstands his methods of expression. In
stead of cutting every Itn that can pos
sibly be spared he retains vary gem. tn
his own part or anyone's els, that h
oan make Urn for In a spiritedly brisk
performance, lasting three hours and a
half, with very abort Intervals. He does
not utter Jialf a Una, and then stop to
act again, with th clock running away
with Bhakespeare'a chances all the time.
He plays aa Shakespear should be
played, on th line and to th line, with
th utterano and acting simultaneous,
inseparable and. In fact. Identical. Not
for a moment la h solemnly conscious of
Shakespeare's reputation or of Hamlet's
momentouaness In literary history) on
th contrary, he deliver us from all
thes boredoms Instead of heapiag them
on us. We forgive him th platitudes,
so engagingly are they delivered. Hi
novel and astonishingly effective and
touchlhg treatment of the final scene Is
an Inspiration, from th fencing match
onward. If only Ftirtinbras could also
be Inspired with sufficient force and
brilliancy to rise to the warlike splendor
of his helmet and make straight for that
throne Ilk a man who intended to keep
it agatnat all comers, he would leave
nothing to be desired. How many gener
ations of Hsmlets, all thirsting to out
shine their competitors in effect and
originality, hav regarded Fortlnbrae.
and the clue he give to this kingly
death of Hamlet, as a wildly unpresent
able blunder of the poor, foolish old
Swan, than whom thy ail knew so much
better;" how sweetly they have died In
that faith to alow mualo. Like Little
Nell in "The Old Curiosity Shop." And
now how completely Fobea-Robertson
has bowled them all out by being clever
enough to be simple.
FOwAMCIS .NASH
....PIANIST....
E3GE HAR3LIW
...TENOR....
IN CONCERT AT
BO YD ; THEATR E
Sunday, Jan. 30, 4 P. M.
TICKETS-$1.50, $1.00, 75c and 50c '
SALK START MONDAY -
Bpandeis Theatre
... . T?B KOTIOJff PICTTTEB BCOOF OF THB Wll
Week Beginning Tnrlau "ON THE FIRING LINE
ltolT- lOaay WITH THE GERMANS"
e.soo feet of rrt.wt tafbk by wtt.btjr k. pTntBomotroH
THJtKK MlililS AND MA11NKK KfcB. a, 4, and o.
Evsalng Prices, gl.BO to B5o Matinee, 91.00 to SSo.
Mr. and Wrra. Cnbnm v.amm
r
'"HI U
By Oeorg O. Xtaselton and Benrlmo. R
ii'1l'l'i'W"1 ' '!''!"' I4i iei wgrwaiL-ei..wsiag'BwwigBssBMitW,w'
a 1 11 in- 1 ... .in' . . 1 1 v1 1 " - - urn mi
1 n iiisiiii -
Superior . TaudevUl loto Play
4 DAYS STARTING TODAY
Prir.c3 B Dearie
Th College Boy and th ICaid
Harry !!:yw:rd fi Co.
. la "Th rirfly
Alice Hamilton
"Quaint Comdla"
Hares Trio
"Foremost Artists"
TU BT&AVOS cash or
"Llsry Pjge"
with
Edaa Kayo and Keary Waithal
First FpUode of This Serial
rXlOTO PAOOSAM
A TelegrapUlo Taagl
Preasled Plaanc
BeUg-Trlbone Mo. a
ADMISSION ft.
Phone Dow. 999 III"
teserved. Beata 10O Extra '
10;.
IIEIISUA17 CAFE
Concert Danrant
EVERY EVENING
TROU 10:30 P. W.
Sl'ECIAL, MGHTS
Monday, Friday and 8trdA
Augmented Orchestra
Entertainers.
gsrr ii
TodayrfKEWaTonite
2j30 URUU 8:20
Tot Tea Performances,
miDlBD STOCK DKAafAS
AT MOV IB FBICliS
THE
NORTH
BROS.
rxxrsioiL
STOCK. CO.
Omar J. Xeayoa' DramaUsattoa ef
"Thorn 1 ind Oranje Elosscms"
Bertha M. Clay's great Story
Omaha's
Best
Theatrical
Bargain
Knt Week "THE WITCHING HOUR'
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Jleearved Seats gse. 4
Matinees I IB.
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10c
Pmuil
Ikura aa
$1.50 for 10 C:nb
"Pop" Concert
AUDITORIUM
This Afternoon it I O'clock
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Al Pairbrother, Conduotog.
Cbaa, It. Gardner, Fred Pnelp sjid
Haurlee Castlamaa, Soloists.
. "OMAHA'S nn CEWTO"
iX2i1t txFTfl slats., 1S-S5.50
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SfILUON DOLLAR DOLLS Kg-..
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M d own, J 1 haoa Rann, Bsato, Fruols til.
CUlr, iiob mn, B3auty Chorus of 10 Bby Dd1it
Z.dla' Dim yatln WMk x4.yu
WHEATLEY
TOICB AMJ OratA
XMBT&VOTIOat.
Apply Thursdays
BOOM 80S Z.YKIO BUXt.
Phone It. B704.
DeLONE
:HARP
80S LTIUO BLXa,
IMDUGLAS 8704
Harp lleoted to Students.
Marie Swanson
PIANO-HARP
B3.1 South 27th 8iret.
fbune Harney ll53.
Turpin's School cf Danclni
Twenly-etchth A rinun. w m.
List our cam now. PriTat lessons any