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About The daily Nebraskan. ([Lincoln, Neb.) 1901-current | View Entire Issue (Feb. 14, 2000)
Movies, music or kissin ’ huggin ’ and lovin ’ By Samuel McKewon Senior editor Top 10 romantic movies of all time? Fuhgedaboutit No way, no how. Valentine’s Day means something different for everyone, and it changes from year to year. Some of y’all are in a loving mood, some in a nasty mood, some are in a subversive mood and some are in the mood to worship the goddess of all movies, whom we’ll get to in a moment. So I’m not listing a top 10 but rather a cate gorical list for the lover (or hater) in everyone on the holiday. My personal grades are included. Straight-up love - “Say Anything” (1989) It’s a tiny little film by Cameron Crowe that nearly every college girl has j seen. Now you know why they ail like il John Cusack. The story is a simple romance between beautifiil brain (lone Skye) and everyday nice guy with no future (Cusack). The movie’s about ■ much more than that, but few notice. B+ Straight-up love, part 11 - “Pretty I in Pink* (1986) Come on, you liked it Andie (Molly Ringwald) is the girl from the wrong side o’ the tracks, while If Blane (Andrew McCarthy) is die rich boy with conflicts who really likes Andie. Duckie (Jon Cryer) has the hots |u for Andie, too. Ah, love triangles. B Epic love - “Gone with the fl Wind” (1939) and “Casablanca” ■ (1942) Heavy hitters to say the least, “Casablanca” is slightly more male- ■ oriented, while “Gone with the Wind” R plays heavy on the female side. The K latter is the definitive romantic epic in jflj history, while “Casablanca” has more 9 of a noir-ish feel. Both get an A jH East Campus yee-haw love - “Urban Cowboy” (1980) See it only to hear Sissy (Debra Winger) tell Bud ■ (John Travolta) she’s “gonna ride that bull.” B Ri In love and war - “From Here to Eternity”(1953) Much more than just romance, it also contains one of the definitive love scenes in history, on the beach, waves crashing between Deborah Kerr and Burt Lancaster. B+ Obsessive love - “Vertigo” (1958) There’s blondes, and then Hitchcock’s blondes. Kim Novak is the object of James Stewart’s affection in a film that’s about little more than a few thousand dol lars. Like all Hitchcock classics, it devel ops into weird paranoia, which is why Stewart (and Novak) were perfectly cast. A+ Fated love - “Romeo and Juliet” (1968) It’s been made many, many times, but Franco Zeflferelli’s version is the only one that remained true to die Bard’s vision. It includes a stunning turn from John McEnery as Mercutio. A Older man/younger woman - “Lolita” (1962) Vladimir Nabokov himself adapted one of the 20th century’s greatest novels into a movie, and, considering the cir cumstances (it was still die 1960s, after all), he did as well as he could. Stanley Kubrick directed, and one could see he was close to the greatness he would produce in 1964 wnn ur. anangeiove. d Older woman/younger man - “The Tin Drum” (1979) It’s a bit misleading, but if you lode at it on the surface only, it is a 3-year-old boy (David Beimet) seducing a young woman. The truth: it’s Oskar Matzerah, a brilliant mind who chooses not to grow after his third birthday, which takes places amidst 1930s Nazi Germany. Oskar sees his world collapse, his drum die only protest. This is the best Holocaust film ever made, though it largely takes place before mass genocide sets in. But itfc best remembered for the sex scene; a man in Oklahoma was arrested for child pornography just for owning it A+ * “The Graduate” (1967) - Beyond Anne Bancroft’s performance as the jaded housewife, beyond Dustin Hoffman’s continued buffoonery, lies the ending, a lingering final shot from director Mike Nichols that lets the movie, which played by its own rules, end on its own ambivalent terms. A true original, with extended musical interludes from Simon and Garfunkel between major seg ments. A+ Gender-bender love - “The Crying Game” 1992 She’s a man, baby. B+ And let us not forget the goddess of the romantic movie... Audrey Hepburn. By Josh Krauter Staff writer So you bought the flowers, the chocolates or the inflatable doll, and you’re ready for a night of Valentine’s romance. There’s just one tiling missing: the music. So, without any further ado, here’s a list of the top five Valentine’s Day CDs to put you and your significant other in the lovin’ mood. And for those of you without a special some one, or recently single, you haven’t been forgot ten, either. A top five list of depressing, anti-love CDs has been included as well. Not to men '4 Lo*/fi-y Fxy UtfTIL-..' I i : ■ , r~I~— F(k*A Delan Lonowski/DN ... There was Audrey, and there was everybody else. She found instant fame with “Roman Holiday” in 1953 at age 24, and it was all roses from there: “Sabrina” in 1954 with Humphrey Bogart, “Funny Face” and “Love in the Afternoon” in 1957, “Breakfast at Tiffany’s” in 1961 and “My Fair Lady” in 1964. Her career more or less ended in 1967 with her fifth Oscar nomination in “Whit Until Dark.” Hepburn’s Holly Goligbtly in “Breakfast” could be argued as her signature role, though nobody could ever reach a consensus on the best Audrey movie. She did it better than them all. tion a few surprises... Top Five Valentine’s Day CDs (in no par ticular order) Marvin Gaye - “Let’s Get It On” and “I Want You” - The silky-smooth voice of soul leg end Marvin Gaye is sure to put young lovers in the mood These two albums represent Gaye at his romantic, homy best. But be careful which Gaye albums you slap on the turntable. “What’s Going On,” a downbeat album about Vietnam, racism and drugs, and “Hoe, My Dear,” a bitter collection of vengeful songs directed toward his ex-wife, can kill the mood faster than an ill-timed interruption from a roommate. The Commodores - “The Ultimate Collection” - Before Lionel Richie was dancing on the ceiling, he was rocking the mike with the suave troubadours of romantic funk, the Commodores. This greatest hits collection fea tures more than 70 minutes of love ballads (“Easy,” “Three Times a Lady”) and funk jams (“Brick House,” ‘Too Hot Ta Tro”) Barry White - “Can’t Get Enough” - The mood doesn’t get much sexier than when Barry White is playing. White’s deeper-than-a-bottom less-well baritone is guaranteed to satisfy. This album contains the great single “Can’t Get Enough ofYour Love, Babe.” Also recommend ed: White’s guest appearance on the Snake Whacking Day episode of “The Simpsons,” in which he uttered the immortal line, “I love the — sexy slither of a female snake.” Faith No More - “Songs To Make Love To” - This four-song EP is for lovers with adventurous tastes. It features a faith ful rendition of the Commodores’ “Easy,” as well as covers of the Dead Kennedys and the theme from “Midnight Cowboy” and a German polka song. The cover is a pair of rhinoceroses procreating the species. It doesn’t get sexier than that. Roxy Music - “Avalon” - One rock critic called this album a “make-out infer no,” and anyone who hears it can see why. The Roxy boys toned down their more rocking side for their last studio album together and played up the romantic 1 aspects of their already suave sound. For those of you playing solo in the lonely heart’s club band who feel like reveling in your misery, here’s a list of five albums to get depressed to. Top Five Depressing Anti-Love CDs (again, in no particular order) Joy Division - “Closer” and “Unknown Pleasures” - This mor bidly depressed Manchester band fea tured the world-weary vocals of Ian Curtis. Curtis killed himself at the age of 23, but Ms baritone voice sounded years older. This is very bleak stuff. Nick Drake - “Way to Blue” and “Pink Moon” - This English folk singer overdosed on anti-depressants atthe age of 26, but he left the world some memorable songs. He’s not that bleak or morbid, but his songs are typified by his sad, lonely voice. Red House Painters - “Red House Painters” - The first of this band’s two self titled albums is a long, sad trip. The cover fea tures a black-and-white photo of an aban doned carnival, and the songs are about bro ken relationships, melancholy nostalgia and just plain sad stuff. Big Star - “Third/Sister Lovers” - This band’s first two albums are sunny, catchy power-pop, but its third and final album is the sound of a human being falling apart. The songs are still catchy, but a bleak, lost feeling pervades. Neil Young - “Tonight’s the Night” - Young lost two friends to heroin and decid ed to write an album about his sadness over \ their deaths and the way they died. The | songs are full of mournful lyrics and the I guitars provide plenty of lonesome melodies. For those of you neither sad, nor roman tically attached, and who are planning to spend Valentine’s Day uniquely, here’s a few sug gestions. If you’re going to spend the holiday with ajar of Vaseline in the men’s room of a truck stop, bring along a Walkman and a George Michael tape. If you belong to a powerful political family in New England and want to seduce your children’s babysitter, nothing says it better than the soothing sounds of the Dead Kenuedys. And, finally, if none of these albums repre sents your Valentine’s mood, there’s one classic album that’s appropriate for any holiday, or for that matter, any time at all: Guns ’N’ Roses’ “Appetite for Destruction.”