Daily Nebraskan Pago 11 Friday, March 1G, 1934 , j , -' ! . . . NDT plays Continued from P&e 10 . Their threats of separation are swept under the rug; "I don't know what we said but we didn't mean it, OK?" Jeal ousy about friends seems to be one of the keys to their problem, and to the whole play. Paul says that friendships are supposed to make you think your life's not as good and presumably to keep on trying. Within the play, it seems to be the social pressures represented by the constant presence and intrusions of these friends that make marriage and commitment diffi cult for the characters. In the second part, called "Abroad," the play widens to include Paul's and Carol's friends. Between scenes, the recorded gossip of these friends fill the darkened stae with insinuating spec ulations which seem almost to have a corrosive effect on the relationships we see portrayed after the gossipers are gone. Paul and Carol do separate, and Marge (Amy Thone) moves in with Paul. Her inane talk of Stevie Wonder makes Paul a little incredulous, - as does the proposal of swinging made by his friend Bob (Tim Ganser). Much of the play makes fun of hip 1970s fool ishness the video realtor Jay (Scott Spence) is much too cool, the waiter (Stan Haehl) and Jean (Barbare Svob oda) also seem to have an image to get across. Although the second part of Weller's play itself doesn't hold together well, some scenes, such as one where Rudloff is chased around by Jay's per sistent video camera and finally kneels at one end with her coat draDed over the front of her, are entertaining and ( well rinnf The farce Ikky, Ikky, Nye, Nye, Nye, directed by Joette M. Pelster, is a hilar ious piece about double characters: Graham (J. Christopher Wineman) who alternates between a prissy, nervous clerk and a telephone heavy breather, and Edith (Amy Thone) who shifts easily from repressed New Jersey girl to would-be sultry Southern belle. Thone is very good and very funny in the changes of her voice. From the betrayed question "Was it just my turn?' to the exulting declaration, "Men, men. men in my apartment!" is a ways to go. and Thone does it with zest. Foster exhibit focuses on Latin American tradition A Latin American poster exhibit will be shown in the Main Lounge of the Nebraska Union Sunday through March 23. The exhibit, entitled Con temporary Latin American Art' Re flections of Change, includes pos ters from Central America, South America and the Carribean. The Latin America Solidarity Commit tee is sponsoring it as part of Cen tral America Week. Latin America has a rich and respected tradition of poster art. The synthesis of art and politics reflected in the posters speaks to the experience of societies in transi tion and the role of art in social change. A special opening for the exhibit will take place 5 to 6:30 p.m. Sunday at the Nebraska Union. "Central America week is being coordinated locally by LASCO and Nebraskans for Peace. poo American Films presents The new police recruits. Call them slobs. Call them jerks. Call them gross. Just don't call them T when you're in trouble. 1 T x .? j4 yU TO ( t r . . T r v. : x i LJ i t What an Institution! "POLICE ACADEMY A PAUL ASLANSKY pboduction ' starring STEVE GUTTENEESG KIM CATTRALL BUBBA SMITH - and GEORGE comdt. ussahd story by NEAL ISRAE 4 PAT PROFT screenplay by NEAL ISRAEL s PAT PROFT and HUGH WILSON PRODUCED BY FAUL MASLANSKY DIRECTED BY HUGH WILSON - Oaucompw-wew FRIDAY, MARCH 16 3:00 prn SHELDON ART GALLERY FREE ADMISSION! A Lsdd Company Release First 40 psopb 2t free T-shirts! C J i i ro. iii! irS hi?" i.v ; v 5S (c; i in '' tlfO H!!!!' nil! 0 :t0 !MS; IMOU'II .. i.in r i u n U Ml l D ;iM(c::.AJL HK'ilO lDMBKO I.Jbuf 'LK0) (0 s'TiC) 'iTt(:mix'i) AMnj.XiBl.Jj' ami f Til U ' b ii lUtJfidiKt ulii; (( T U !s i i u 1 1 ni'JK liiiiiH; n k t k rn t n -s a t Tli tit ( i uvy i u i I i 1 1 1 a u 1 1 i i Jill i s?: yj ' '.V 'V X S" y ' - 111 v 1 1 i ,f