THE DAILY NEBRASKAN
Official Taper of th
University of Nebraska
IVAN G. DEEDE Editor
LEONARD VV. KLINE. . . .Mng. Editor
FERN NODLE Associate Editor
KATHARINE NEWBRANCH
Associate Editor
ARNOLD WILKEN.. Associate Editor
GEORGE NEWTON.. Sporting Editor
RUTH SNYDER Society Editor
M. L. SPRINGER... Business Manager
C. E. JOHNSON Ass't. Bub. Mgr
Reportorial Staff
Eleanore Fogg. Carolyn Reed, Edna
Rohrs. Nellie Schwab, E. Forrest
EBtes, Gaylord Davis, Jack Landale,
Lyman Mead.
Offices
News BaBement University Hall
BuslneHB, Itasement Administration Blag.
Teleohonei
News, L-8416 Hunlness, B-2597
Mechanical Department. B-3145
Published every day during: the college
year except Saturday and Sunday.
Subscription price, per semester, $1.
Entered at the postofflce at Lincoln,
Nebraska, as second-class mall matter
under the act of Congress of March 8,
1879.
ON INSPIRATION
The Nebraskan clipped not long ago
an editorial from Collier's Weekly
containing advice to the young man
who would make good in the field of
Journalism. The notable part about
this advice was the tribute it paid
to the Inspiration the writer received
from his professors at college. One
old fellow in particular we remember
whose attraction lay not in hi3 knowl
edge of trigonometry but in the stim
ulatlng influence of his association.
Such examples are known to all of
us; they are the common heritage of
all men. Just as the schoolboy is
fired by the romantic story of Wash
ington, so the college man' finds in
the course of his four years one man
who stirs In his heart ambitions and
awakens possibilities heretofore un
known
branch of learning, but usually he is
a bigger man In his knowledge of
life. He forms the Ideal of educa
tion to the youthful mind; he Is
knowledge personified. Like Cole
ridge was to the young Hazlitt, so
THREE PICTURES BY
Criticised
JONAS LIE
by Nebraska
Students
Winter Afternoon
A picture that Is good in composi
tion and pleasing in color is only
beautiful to me If It brings a mes
sage. In order to convey a message the
artist must choose his subject care
fully and present it so that it will
delight our eyes. However, the sub
Ject matters not so much as the man
ner of presentation.
"Winter Afternoon." by Jonas Lie
is so presented that when one glances
at it, the Impression Is of intense cold
The glinting ice and the blue snow
tell us that there Is an atmosphere
which will pierce your very bones.
The manner of presentation Is very
realistic. But if one goes no farther
than the foreground of the ricture the
message will be last.
In the background there are fir
trees, golden-brown under the rays
of the late sun, and the bright sky,
and the sun-touched snow, all giving
promise of future warmth and life.
In spite of the fact that it is now
so cold, we are assured that the time
will come, us it always has come be
fore, when the sun will give us new
life, and renewed hope.
The message that Jonas Lie brings
to me la "Winter Afternoon" is the
promise of better things, warmth,
life again in nature, and a Joy that
we all feel with the spring. The pic
ture is satisfying for It promises men
something better, for which all men
hope. E. M.
Rose of Valparaiso
When I first looked at this picture
it did not seem beautiful to me but I
could not keep from looking at it and
I kept going back to it after I left
it. This picture is not beautiful be
cause the face or form of the woman
pictured is beautiful, but for what it
represents the idea or spirit of it.
The face cannot be seen unless you
stand close to the painting. Then one
can see all of the features which are
coarse jind ugly. The woman Is so
wild and primitive that it
He may be a big man in his jf Bhe ought to be free and yet I do
not feel that she ic free. She is like
a wild, fierce animal which has been
captured and forced to work for man
until it is cowed and its pride broker.
ane is held, not tamed.
The hill-top looks solitary with the
wind Rwpf.nl
Dean Bessey has been to more than lowerlm? cIouda look HO ' "
one eager young botanist, and so wl8h r could stand there and watoh
other weoraska proressors are to us tne storm.
all. There is a certain trace In thn
pose of the woman she sunnorta hfr
education at Nebraska should be more urdLn so easily, as if she had forgot-
icu ii. one was tired before she
came up the hill but the wildnes of
the scene has gripped her and Ehe has
halted on her homeward trip, and
for that moment she feels a sense of
freedom.
The technique of the artist is Rood.
He has succeeded in portraying the
mood of nature and the effect it has
on the woman. The approaching
storm is shown by the clouds and the
blowing of the shrubbery and of her
skirt. The clouds form the whole
back ground and serve to center the
attention upon the woman. The
blending of the colors is beautiful and
they fit into the scene wonderfu'lv
O. It.
than that gleaned from required
courses. As you have come In pur
suit of knowledge, the knowledge of
life as well as of facts and figures,
you must pursue that knowledge far
ther than the prescribed textbook. Be
come acquainted with your Instruc
tors examine your own philosophy
of life in the light of their mellower
minds; study great personalities as
as well as celebrated treatises. Then
to you, too, will come the awakened
song of inspiration, and in later life
when the seemingly impossible is
done, you will look back upon the
gentle old man and his books with
more reverence than you will ever
have for the accumulated wisdom of
Solomon and Socrates.
"Palms In the Wind"
Jonas Lie's picture "Palms in the
Wind" strikes me as being beautiful
for several reason: Especially I
find it so because it possesses a cer
tain spiritual quality an ominous
note of the strange power and force
of nature. This element in the pic
ture gives one a thrill like that ex
perienced when one Is friKhtened or
awed. There is a wildness about the
picture that I have felt when out in
THE REAL WORLD
(Collier's Weekly.)
A heavy-set, middle-aged man with
the plastic thrumb and square-ended
fingers that Dickens noted on one
of the inventors of his day (was it
Doyce in "Little Dorrit?") had been
holding forth in the smoking compart
ment on how to increase our national the wind Just before a storm.
production of machine tools. It was It has been said long ago that no
a vivid, Bolld talk on the resources one could ever paint wind. If any
auu Buuricomings vi rroviuenue, nan- one ever nas succeeded I should sav
M 1 W A tx. . t 1 A . 1 . I V ft . ..
iora, ueiron, ana oiner towns on now l,io nas in this picture. The swaying
further to organize and speed up in and pulling of the tree, the streaking
mailing me mings mat. mane me oi ine clouds as they are swept cross
things that will turn out the stuff the sky, makes me almost feel the!
wnerewitn to down tne oocne. Any rcrce of the rushing wind. The "lines"
refined tourist could see how utterly are what give the sensation partially
American it was in the way the man The colors chosen in palntine thl
lived for his trade. Any looseline picture are a strong factor in making
poet could write a ream on how the it beautiful. The greenish-yellow sky
speaker's soul was sensitive only to near the horizon, the gray purple
the stamping of steel dies and vibrant clouds flying across the eky, the black
only to the quiver of high-speed drills, looking trees silhouetted a'jrainRr th
And yet, an hour later, the same man sky and the dark ominous lanscape
was standing alone in the vestibule of these are the things which give this
their Pullman looking out into the picture its spiritual feeling. It brings
night as the train ffed up the snow- the real sensation one has in a rush
wreatnea ivionawK vauey, and a of wind before a storm. Anon."
passer-Dy neara mm murmur: "Any-
U MM V 4 f 1 . V. .
liuw, ii jruur uean la wuu mJiilo UUUIAAD MCCTlMf PDrtlFDO
who's dead, it is safe. No going back WAn MttllNb brtAKtKb
on it while you live." One saw the
truth then. One thought of Dante
and his Beatrice, of the star that
shone for the poet through the murk
of his hustling, politics-ridden Italy.
The real world, which is all too little
with us. Is the world where the treas
ure of a man's soul abides, not seen
often and not to be lightly revealed,
but outwearing time and the things
of time.
TO ARRIVE SATURDAY
(Continued from page one.)
spent in war relief. Doctor Vincent is
one of the most brilliant platform
speakers in America.
Arthur E. Bestor
Arthur E. Bestor, president of
Chautauqua Institution, Chautauqua,
New York,' was appointed by Presi
dent Wilson In September to organ-
i, o.,,i ,iirM thn anuaklng division of
the committee on public information.
Since its organization, this division
has drawn together and has co-ordinated
the activities of over 30 na
tional organizations conducting speak
ing campaigns. Under the supervision
of the speaking division all these or
ganizations, centralizing their efforts
in the state councils of defense, are
conducting a series of war confer
ences. These war conferences are
held in the strategic cities of each
state and form a basis for a series
of Btate-wlde mass meetings to be
held in each state after the confer-
AtW'A.
From the Kentucky war conference
which opened at Louisville yesterday,
nirnrtor Arthur E. BeBtor of the
speaking division of the committee on
public information teiegrapnea rroi
m m. voce this morning as follows:
"Notwithstanding difficult weather
conditions trip going successfully
Tremendous crowds everywhere."
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Beginning Wednesday night, seven performances seven acts, "Best of
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SOPHIE TUCKER
"The Mary Garden of Ragtime"
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Some-What Different Affair
MR. & MRS. MEL-BURNE
In a Wide Awake Episode
"On the Fourth Floor"
THE BERT HUGHES
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Of European Novelty Cyclists
RAYMOND WILBERT
presenting
"On the Golf Links"
First Time on Any Stage
FRANK WESTPHAL
He Isn't a Regular Actor
BILLY LLOYD & GEORGE
F. BRITT
In a Mixture of Vaudeville
HEARST-PATHE NEWS
ORPREUM CONCERT
ORCHESTRA
Prof. Arthur J. Babich, Director
BERT BAUER & CO.
In a One Act Farce
"Prevarication"
(By Bert Baker.)
Matinee at 2:30; all seats reserved at 25c. Commencing Wednesday
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