in the world has been illustrated by so many famous artists It is easy to see some of the reasons which have made it a favorite subject First there is the religious interest which centers in the entrance of the Divine Saviour into the world Such an event for all who be lieve in the Christian religion must have a profound significance It is the sunrise of faith the beginning of a new spiritual world the laying of the cornerstone of the kingdom of heaven on earth Even if the artist himself were not sure of this did not altogether be lieve it he would know that other people be lieved it and by the imagination he could see what a supreme importance was given by the faith of Christendom to the brief and simple story of the birth at Bethlehem Second there is the human interest which clings to the ever beautiful relation of mother hood and childhood The tenderest and most unselfish love is that with which a true moth er looks upon her little child the most perfect innocence and trustful joy are revealed in the deep eyes of the baby who smiles into the face of nis mother bending over him The paint ings of the Child Jesus and the Virgin Mary have drawn into themselves the best thoughts of men concerning the gracious secret of ma ternity and the unstained bliss of infancy Fantastic Legends Third there is the poetic and pictorial inter est which grows out of the incidents of the story the strange contrast between the heaven ly significance of the birth of Christ and its outward circumstances the blending of light and shade joy and sorrow hope and fear an gelic songs and earthly persecutions All these varied elements centering about a single figure afford a field of illumination and illustration such as art loves My first advice then to those who wish thoroughly to appreciate and enjoy these pic tures would be to read and re read the gospel of St Matthew from the eighteenth verse of the first chapter to the end of the second chap ter and the first two chapters of St Lukes gospel Then it would be wise to read some of the later legends which were woven in the apocryphal books and in the mediaeval poems and narratives about the birth and childhood of Christ Many of these legends are curious and fantastic evidently allegorical and symboli cal They have none of the simple directness and quiet restraint of the Biblical history They are in effect clear illustrations of that native trait of the human mind familiar to every one who has tried to tell a true story to a child the craving for picturesque detail How did it happen Where did it happen Who was there How did they look What did they do afterwards These are the ques tions that children ask when they hear a story and these are the questions to -which men have given fanciful answers in the apocryphal and mediaeval legends such as the protevangelium ofSt James the gospel of St Thomas the gospel of the pseudo Matthew The history of the nativity of Mary the golden legend of bus de Voragine the poems of Konrad of Fussesbrunn Walther af Rheinau Abbess Kroswitha arid the tradi tions given by Justin Mar tyr St Jerome St Bernard and many other writers Much of this legendary and symbolist material was taken up quite naively by I PJUNTJN BY DgfgGGgjR the painters and embodied in their pictures Suppose you have a picture of the Annuncia tion which represents Mary as passing through a garden when the angel came to her that is in accordance with the Protevangelium which says that Mary was chosen by lot from among the virgins of Nazareth to spin the royal purple of the Temple veil one day as she was returning from the fountain with her pitcher of water the angel met her and said Hail thou who art full of grace and when she went back to her spinning he came again to her to complete his message If the picture represents Mary in the house working at the veil the artist has chosen to show us the sec ond appearance of the angel The emblems which the artists put into their pictures are significant The pot of lilies at Marys side the lily branch in the angels hand symbolize purity The olive bough borne by the dove means peace Or here is a picture of the nativity which shows the Child and his mother and Joseph in a cave This is according to the account of Justin Martyr and quite in harmony with the customs of Palestine that the stable of the inn where Christ was born was a grotto in the rocks Here perhaps you see the o and the ass bowing their heads before the child This is told by the gospel of the pseudo Matthew in fulfillment of the prophecy of Isaiah The ox knoweth his owner and the ass his masters crib Here again is a daz zling supernatural light radiating from the child so that shepherds who have just entered must shade their e3es This detail is given in many legends How the Story Develops The five chief points around which the paint ings of the birth and childhood of Christ nat urally group themselves are 1 The Annun ciation 2 The Nativity 3 The Adoration of the Magi 4 The Flight Into Egypt o The Home at Nazareth 1 The Annunciation comes from the first chapter of St Luke and with it are associated two minor incidents the visit of Mary to her cousin Elizabeth and the birth of John the Baptist the forerunner of Christ Tha painters have delighted to show us the virginal beauty and meekness of Mary the joy -with which the angel brought his message and the awe and wonder with which she received the new con ception of her son as the Son of the Highest the Saviour of his people No picture of the Annunciation is good in which this wonder and this joy are not expressed If in addition the painter has chosen to put in many details to L s oeBJUAS make us feel the innocence and lovely grace of Marys life if he has shown us the quiet work with which she is busy the sweet order of her room which images the tranquillity of her soul this also is well But the great thing is that he should perceive and show as simply as pos sible the charm of that perfect figure of maiden hood no rude peasant girl but one with royal blood in her veins and heavenly thoughts in her heart The Nativity 2 The pictures of the Nativity have a great er variety of incidents and of modes of presen tation The simplest are those which show Mary and Joseph in the stable with the child then come those in which the angels appear or the shepherds came to pay their adoration another conception represents the mother alone with her babe adoring him or nursing him Pictures of the presentation in the tem ple and perhaps some of the Madonna and Child belong to the general theme of the Na tivity because their central idea is the advent of Christ as a little babe Here the painters have found a wide field for imagination and have used large liberty in expressing the feelings with which different persons drew near to the holy child Mary is almost always shown as wondrously happy sometimes as in Murillos Adoration of the Shepherds lifting the cloth that cov ers the child and displaying him with gentle pride 3 With the Adoration of the Magi a new ele ment comes into the scene These wise men from the east whether they were kings or not were the representatives of the outside world There are pictures which show the Magi on their journey led by a star sometimes shining in the form of a babe in the sky and others which show them at the court of Herod asking their way and others which show them being warned by an angel in a dream not to go back to Jerusalem and oth ers which show them returning by sea to their own country But the great majority of paint ers have chosen the moment at which the gifts of gold and frankincense and myrrh were presented to the child Here there is room for splendid color and dramatic contrast 4 The Flight into Egypt is the contrasting companion piece to the Adoration of the Magi The one brings the great world into the dwell ing of the Child Jesus the other carries the Child Jesus out into the great world Story of the Flight The pictures of this subject fall into two lll3 BIJZN TTwn SWJrJJYkr J3T SVUCJU1CiOZ hfiffiilflTySTMMM IL 31 and childhood of J I l WllWjyA il fc Jill J v JWu ISffllX JC i IN3 Ik m CA I Jesus the Christ J 1 fir jT m IIW ilUtlir TT MJWlH e 7 fHhvU 1 told with such won- llfllt WflWl1 W i VW R m ySs T 4 HkL dcrful simplicity in MPVS UfQL JJi Willi 0 fl J BSUK the New Testament i K7 T Li7 if XI J llll ml vCZZLJttimT Ltlr nilri J Ksbt d taken deep hold wti c vV m iiiM i Nffl In 1 1 arallliMilicx U jgrr gOJi upon the heart X T - L J L I WJl IK III I I SiaIlHPiSHBiN P35 nation of -CT vNllJCV VV Mil I jMMMMmM liPMf PM Sk Bllil uis - NTlNf III W 1 wrIS the vorld over No J7 W W 1 nJft v WSS 11 W JftP H k er part of the gospel Ll A Mill 0 W feVrvsS I 3HH1 JlWK lf3 I ift -4 aK history has given so J LJ SSC W WfflSFT MMmJBmf SHlfH Bk SnI themes to g W AvWTlX M poet and C IHIIIl N M f F W i 3 M MBSifVHf ISwlMttlW pa inter MtoMM fn L fjJ MlBillBE f s J I Ml V C No other I lnilHflillllllKIjlr X l N BlMlKu MM lllMillPliiil A 3KfrBJWiiW narrative s st 1 liLt I t if UilWUlnnM f n lulfEaSwilBaEsS TfT ffiSmlSl8R iBiSiaK0BiW vmGjrr mfajyt ojgju tf jwd d cjohv 0o wmBBSB - yMl Rs9 iEfpPWSa SJKII ixmntefG sy JBomazu J IBB HJBwl Ik Mfes JBSmi vm main divisions those which represent its ac tual journey and those which show the Holy Family resting either by the way or in the land of Egypt The paintings which deal with the latter theme commonly known as the Re pose include some of the most beautiful works of art especially during the last three centu ries Many details have been introduced from the legends of the flight in which the apocry phal History of the Nativity of Mary is par ticularly rich This is one of them The Holy Family rested by the road beneath a date palm and Mary desired to eat of the fruit but it hung high above her head Joseph being weary was not able to climb the tree But the Child Jesus knew his mothers wish and at his command the tree bent down its branches Then he thrust his fingers into the sand and a spring of water gushed forth The next morn ing Jesus thanked the obedient treeand prom ised that one of its branches should be carried by the angels and planted in Paradise The Triumph of the Innocents The landscape is half shadowed by night but the moonbeams weave a filmy radiance over plain and the distant hills where the watch fires are growing red In front marches Joseph with his basket of tools on his back a sturdy son of toil The mother a noble woman of Palestine carries the child in her arms happy and fearless But who are these little children that run and float beside the travelers They are the spirits of the mur dered innocents of Bethlehem set free to fol low the infant Saviour and knowing that through him they have entered by the gate of death into eternal joy Three tiny ghosts in the rear have not yet felt his presence nor caught sight of him and the pain and terror of mortality are heavy upon them But the others are radiant and rejoicing as ransomed souls and at their feet rolls the river of life breaking into shimmering bubbles in which the glories of heaven are reflected Joseph does not see the spirits I doubt whether even Mary sees them clearly But Jesus recognizes his former playmates with joy He leans from his mothers arms to greet them holding out a handful of wheat the symbol of the bread of Heaven It is all mystical visionary unreal Or is it a true picture to the eye of what faith be holds in the religion of Jesus Surely if this gospel has any meaning it is the bringing of light and blessing to the suffering little ones of earth a deeper compassion and a tenderer care for them and the promises of a heaven full of happy children w TO CURE A COUGH Or Break a Cold In 24 Hours Mix two ounces of Glycerlno and a half ounce of Virgin Oil of Pino com pound pure with a half pint of Straight Whisky Shake well and take a tea spoonful every four hours The genuine Virgin Oil of Pine com pound pure is prepared only by The Leach Chemical Co Cincinnati Ohio nd 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