r ftjtl h By ELIZABETH JACKSON Copyrlcht Ford Pub Co Fn her illttle rose colored boiHloIr Ellseiptuted slowly up and down Her butatoW brow was slightly puckered and around her eyes were unmistak able signs of tears But they are only surface tears she told herself with a little sigh not heart tears not ho kind of tears that Lundski wants tears wrung in agony from the soul She said the words over again to herself smiling as she did so It seemed such a far away possibility if it was one at all And for this very lightness of heart my career is to be ruined she cried aloud She stopped before the open window and looked out moodily into the night The stars seemed to have lost their glitter and the radiance of the moon was bidden in the mist of a cloud Below41uw trees bung--dark and mo- tionless not a breath stirring them or their huge fantastic shadows The pervading calmness exasperated her II suited so exactly her own mood Go Home Till You Become a Woman Neither was it the calmness that fol lows a raging storm either of the ele ments or of a soul that terrible calm ness of despair But it was just the peaceful quiet of mere living and the sweet joy of it She rested her arms on the window ledge letting her gaze wander dream ily A deep long drawn sigh breathed itself upon the evening air seeming to reach straight on to the stars that were resting so quietly for they be gan to quiver and to throw out eling lights Their gleam caught her and she flapped her hands laughing gleefully like a child Dear little stars she cried to them did that breath reach way up there to you And what are you telling me in return Ah I know you are trying to send some message and I cannot understand for I have no soul No soul could it alas be true And fast before her mental eye hopes and fears came crowding All her life centered around her am bition to sing in grand opera She had worked and studied and sang with ever- that point in view Then- came ihat glorious day when she had sailed for Europe She was going to the great Lundski success and fame L He had been pleased at first she kueV and had great hopes for her but lately she seemed to fill him with only exasperation He was to bring her out in B Trova tore and the date of her debut had been set But that day he had shown plainly that he despaired of her Ah mademoiselle mademoiselle lie cried your voice yes ife shrugged his shoulders and threw up inlands Itlsdear it is sweet It is strong but it doesnt touch here and he pointed to his breast It is cold cold all ice bah you freeze me Gome put a little warmth into it he cried let your soul ring out let Manrico know by the very depth of your voice how you love him Then suddenly he turned to her Have you never loved selleYSie asked softfy asliougti he might be stepping on some sacred ground But her laugh rang merrily Loved Loved No never Why I never had time to think She stopped suddenly The gray eyes of the new tenor seemed to be looking lntoAher very souL She brushed her hand across her brow and laughed again but not so heartily - 77 AWAKENING L -4-- The afternoon wore on her in structor became more and more Im patient with every note Finally with an outward pushing gesture as though to drive her from him hev cried Go home till you awaken you are asleep Go home till you become a woman you are a child Go home till your very soul can cry out to Manrlco in the tower till you feel all the depth all the misery and all the glory of Leo noras great love Till you can not only lovo with her but hate with her die with her And when this comes to you come back to me and then we can give to the world a living breath ing palpitating Leonora not a crea ture hewn of ice But it was not of Lundski she was thinking now but of the gray eyes whose glance she was beginning to long for yet dread Ah those eyes were wondrous gray but his hair was curly undeniably How she hated curly hair on a man and his she would even have termed kinky had she not felt at times so strangely curious a desire just to touch it There surely was some change coming over her that she should look so eagerly la every crowd wherever she went just to catch a glimpse of a straying lock of golden kink hair And ah his glorious voice She had only heard It once but its tones were always ringing in her ears How she longed to sing out in answer to it the day she heard him They were to practice together on the morrow and now it was not to be Ah that must have been a pang of more than mere disappointment that struck so sharply at the thought The moon sank deeper in itsjiiding place and a strange mournful stirring came from the trees The night was changing but still the girl mused on Suddenly out of the darkness on the rising breeze came a voice sing ing beneath her window Only one could sing like that and as the word3 of Manrico came to her in a voice full of love and longing she caught her breath and listened trem bling thrilling and as the last note Was carried to her she dropped to the floor overcome then poured forth her answer Her voice was low and unsteady at first but gathering volume by the very weight of the love it must carry rang out into the night telling in the words of Leonora of a great strong and self sacrificing love And the wind which was rising to a storm carried it to the listeners below and wove around its note of triumph a sad mournfulness as of coming sor row As the last words died away a cho rus of bravos and exclamations arose Elise did not hear them or under stand their significance She was alone with this new beauty her face hidden in her hands Finally she was aroused by a knock He had come to her he was there at the door Oh the joy of it Yet how could she open it with that throb in her throat and her heart beating so wildly Timidly she crossed the room and turned the handle The great Lundski came in first then followed a woman and then the tenor his gray eyes full upon her Her own dropped Mademoiselle mademoiselle the great Lundski cried we give you our heartiest congratulations I hardly thought the little ruse -would work so well We were coming over to get you to practice a little to night as ou tenor says he must leave town to morrow We saw you against the rose light standing so still in the window Sing said I and how he sang and how you sang It fairly struck me dumb Ah how much good a little scolding does sometimes But here you have not yet met our tenors wife I am forgetting myself Let me pre sent Mademoiselle what is it Are you ill 111 Yes yes she answered white to the lips but do not be alarmed to morrow I will come to you and be the living breathing palpitating Leonora French Apparatus of Value A new electricalaptaratus which is designed to facilitate the dispatch of postal letters has just been installed in a Paris post office It consists of an endless roll of linoleum 200 feet in length Tins in revolving rubs against 32 electric bobbins operated by a powerful distributor When the current is switched on the linoleum roll descends into the letter box the contents of which are attracted to the linoleum by the electricity and com municated by the bobbins The let ters are -thrown into a truck and car- ried Jjy means of a miniature railway through the pubIlc room to the sort ing office The saving in time is said to be considerable and the apparatus is almost noiseless Large Legacy for Academy According to Science the Berlin Academy of Sciences has received a legacy of 30000000 macks about j25QJM00 being the entice fortuneof a millionaire named Samson a Berlin banker who recently died childless at Brussels Real Mean Madge How is it you dont speak to Edith any more Dolly She won three of my engage ment rings from me playing bridge Puck - v -- r - - Vr m - -- f HI P I No 1 is a simple evening bodice in spotted silk voile it has a mauve ground wiht a white spot piece lace edged with mauve silk is used for the collar a strip of the lace is taken ONE COLOR FROM NECK TO TOE Fashion for the Indoor as Well as the Street Gown As each week passes it Is seen that women are going in heavily for the one color line from the collar to the floor The waist and skirt if in two pieces must match The gown must preferably be from one piece from the collar bone down Even above the collar bone the same color of lace or net is often used instead of white Indoor frocks as well as street costumes are clinging to this one color effect The hats do not match the gown and shoes and gloves need not match it but if you would be in fashion see to it that in every hour of the day you are in one color from chin to toe It is the one piece gown that has made this fashion compulsory The separate coat and skirt is not as popu lar as it has been for it has given way to the three piece suit The skirt carries its own blouse and the coat is added thereto DIOXYGEN BEST MOUTH WASH Preparation Will Keep Teeth and Gums in Perfect Condition The merits of dioxygen as a mouth wash are not as well realized as they should be It is easy to get and not expensive A stoppered glass bottle of it should be on every washstand After eating if one hasnt time to brush the teeth the mouth should be rinsed out with diluted dioxygen It is a strong antiseptic keeps the teeth from decaying and protects the top of the mouth and gums from soreness or from creating and emanating a dis agreeable odor The toothbrush should always be dipped in a little of it and brushed over the teeth and gums at morning and night even after tooth paste is used The latter merely cleans the teeth It does not disinfect the mouth Peo ple do not pay enough attention to the inside of their mouths even though they ma- be scrupulous about their teeth Blouse of Aluminum Silk Aluminum silk has been used rath er sparingly hitherto in the shape of girdles and sashes Now it has come out in blouse form and the result is de cidedly attractive One blouse of this silk Is made on tailored shlrtj lines with broad flat plaits and is relieved at the throat by a fold of purple vet beneath a frill of maline lace In more elaborate style this silk is ad mirable for wear with a suit of gray Ottoman silk or a coat of gray fur The Luncheon Apron The luncheon apron of white lawn is quite short with a 12 Inch flounce trimmed with a hemstitched border The wide bib comes over the shoulder in a Gibson plait effect and is made with a white collar much on the or der of a waitress apron A narrow fold own the center of tho bib is edged with a narrow ruffle of the material with a narrow hem trimmed with extremely narrow lnce 5 J n - omairtt Eedlfce down the front the material is ar ranged In small folds beginning at the lace in front and continuing down thf sleeve to the elbow which Is finished off with a band of lace and silk a bow of silk Is worn on the collar Materials requilred 2 yards voile 42 inches wide one yard piece lace one half yard silk No 2 The bodice part of this Is in coarse cream spotted filet net the band is of old rose glace finished off at the waist with a rosette the flat tucker Is of four Inch lace and has two silk bows In front the deep arm holes are trimmed round with silk bows The lace is worn over an old rose glace slip pink chine silk is used for the sleeves which are finished at the elbow with lace bands edged and trimmed with silk Materials required 1 yard net 42 inches wide iys yard silk one quarter yard piece lace No 3 Royal blue chiffon velvet to match skirt Is used for the over bodice a strip of Oriental embroidery forms a collar and Is taken over the shoulders a piece is also laid on in the center of front silk tassels to match give a pretty finish embroidery also edges the over sleeves White glace spotted with blue is used for the under sllp Materials required Three yards vel vet six tassels one yard wide em broidery three yards glace silk No 4 This is a very pretty style soft green silk spotted with darker green is chosen for it insertion Is taken from waist back and front over the shoulders also across back and front the epaulette which is laid un der the outer edge of insertion is faced down the center with dark green velvet ribbons so also is the center of front part of the way The little sleeve is tucked and has a band of in sertion at the elbow Materials required Five yards silk 22 inches wide four yards ribbon 2y yards insertion No 5 is quite simple it has the sleeve cut in one with the bodice part it is made up in figured silk muslin in soft shades of pink insertion edges the pretty shaped opening and is ta ken down the outside of sleeve and round the elbow four small tucks are made on either side of the front with a deep pink velvet bow in the center Materials required Three yards 27 inches wide three yards insertion EVENING COAT OF SOFT CLOTH In White Lined Throughout with Pale Green Brocade For a coat of this description soft cloth is the best material It is cut all in one with the sleeves reaching to the wrist in front and shaped to a point and reaching to the hem at the back It is in white cloth lined through with pale green brocade A green galloon to match the lining edges the neck down the front and round the sleeves of coat A velvet strap of a darker green is sewn in at the neck and cord ornaments and cord of the same color add a trimming to each side of front Materials required Five yards 48 inch wide cloth six yards galloon eight yards brocade one eighth yard velvet six cord ornaments one yard cord Making the Hair Wave A simple but most effective way of making the hair wave in the big rip ples which continue -to be fashionable is to dampen it and tie it down with bands of baby ribbon Of course ab solutely straight hair will not yield to this treatment but hair with the slightest tendency to curl will re spond beautifully After the hair is done up dampen it with hot water pinch it a little and then draw it close down to the head with bands of baby ribbon put on in separate pieces about an inch apart and pinned very light to the head Leave on for an hour remove care fully then comb the hair gently until it fluffs out in charming waves of beautiful regularity Punctured Cloth a Trimming There is a broadcloth trimming now in use which is covered with a design in holes These are made with a stil etto It is called punctured cloth and It is used for revers waistcoats and panels on skirts and coats i i iiiinrnlgm POINTS CONCERNING THE USE OF STARTERS Practical Suggestions Which Will Prove Helpful to Butter and Cheese Makers By L D Bushnell Michigan A growth of micro organisms In a suitable food substance as milk whey or beef tea is called a culture If only one species of micro organism be present the growth is called a mixed culture but If two or more be pres ent the growth is called a mixed cul ture For us to be thoroughly familiar with a starter we must understand a culture because a starter as used in dairy operations is generally a cul ture containing one species of micro organisms In some few Instances where two or more micro organisms are found that harmonize In their modes of growth a mbeed culture is used thereby perhaps bringing about better results than when developed D tfsa i y J MM l CWtl Ot 4o cuoa ti jr out to J Fig 1 separately The starter is used to avercome obnoxious micro organisms mil adds to the finished product the lesired flavor aroma keeping quality ind perhaps other essential properties Starters are of two general classes viz natural and commercial Under the head of natural starters are placed all those originating at home usually by selecting and setting aside until loppered a quantity of care fully drawn milk Buttermilk whole milk sour cream and whey are some times used in this capacity A start er produced in this way may contain several species of micro organisms Thus it is not difficult to understand why a starter produced by natural souring may develop taint or become gassy The commercial starter is generally developed from a single micro-organism and is built up as a pure culture or a known mixed culture This class includes those starters originated and offered for sale in solid or liquid form by various commercial firms Though the different brands differ more or less as to activity at a given temper ature as well as in the flavor impart ad to butter or cheese yet from the very fact that these are pure cultures uniform growth and acid production may be expected This being the case a commercial starter is kept free from contaminations and developed under the same conditions may be used for an indefinite time and produce an un varying product As sterilization is to replace pas teurization in this process a steam sterilizer is a necessary piece of ap paratus and Fig 1 has been inserted mainly to show the parts of a service able sterilizer A common copper wash boiler may be fitted up for ster ilizing purposes in much the same way or a box constructed of wood or Df galvanized iron may be used A more detailed explanation may prevent errors on the part of those who set up sterilizers in their fac tories The inlet A should be placed near the bottom and of the proper size to fit a steam jet The siphon tube B for the removal of condensed water alwajs has its inner end cov ered thus preventing loss of steam The highest point of the outlet should be lower than the opening C so that ft ft ft fl 3 3t LI SI V v -v - i L Fig 2 steam upon entering will not have to pass through water For the supports E some light material should be used as heaT metal or solid bodies con dense large quantities of steam the perforated bottom F should have nu merous openings to permit the free upward movement of steam G should be of wire netting This causes a more uniform distribution of steam thereby preventing many breakages As all factories are not supplied with apparatus for the production of steam a substitute may be made on the plan of an ordinary steam cook er with an inch or two of water in the bottom When this plan is used sterilization begins when the steam begins to issue from the openings A thermometer placed in the opening D should register 210 F In Fig 2 the four jars 1 to 4 are filled with milk to the line m and the mouth of each filled with a dry firm cotton plug The plugs should under all conditions be kept dry Trouble may be anticipated in attempting to sterilize these thick glass jars but if a few precautions are taken there need be but few breaknges A shield F In Fig 1 placed so as to prevent hot water and steam from striking the glass Jars and a wire gauge or wh dow screen for them to stand upon insures almost any glass jar against destruction by unequal heating The exact period of time to heat cannot be given for much depends upon the steam pressure or upon the vigor with which the water is boiled Tests may be made with a thermom eter to determine this point If kept at 210 F for 30 or 40 minutes at each period for four consecutive days ster ilization will be effected in case of small quantities of milk This how ever depends upon the amount of milk in each bottle A test for jars of milk supposed to be sterile may be made by placing them in a warm room for a few days If no visible change takes place we are practically assured in saying that the milk is sterile The culture of lactic organisms may be introduced as directions oh the package indicate but using every precaution to prevent any of the mate rial from coming in contact with the hands neck of the jar or other ob jects If these precautions are not ex ercised the benefit to be gained from the use of sterile milk will not mate rialize Under no condition should the cotton plug of a jar be removed after the first heating except when about to introduce the starter and then not longer than four or five seconds There are several factors which in fluence the time required for lopper ing viz temperature activity of start er and quantity introduced In order to have a culture at the proper stage when needed the temperature may be changed or the amount of the 9IHKkz fck s l Fig 3 lating culture raised to meet the re quirements Nothing but experience will determine these points The starter to be successful must be transferred daily and some inex pensive transferrer must be devised to meet all requirements The operat or in order to make successful trans fers must have something that will convey the proper amount be easy of sterilization have relative freedom from contamination and convenience in handling A vial with a wire han dle a piece of cloth wound loosely about a wire handle or a small amount of cotton wound firmly about a wire are some transferring tools easily made and fully meeting all re quirements Of these transferrers the latter seems best fitted for all practical purposes It is easily con structed by taking a wire which has been made rough on one end and some loose cotton batting The cot ton is wound firmly around the wire by holding between the thumb and first and second fingers The transferrer should be placed in the milk before sterilization begins and should never be removed until ready for the transfer After inoculation and loppering a safe transfer may be made by remov ing the plugs of both bottles and lift ing this transferrer very carefully from the loppered milk and placing it in the sterile milk care being ta ken not to allow the swab to come in contact with anything during the op eration The plugs should not be transferred from one bottle to another but should be removed as shown in Fig 3 Testing Eggs in Water A pail or any kind of water affords a convenient medium for testing eggs A real fresh egg will sink one that is not so fresh will topple around apparently stand ing on its end one that Is spoiled looks dull and porous whllethat of an old eggs appears thin and shiny When shaken a stale egg will rattle in th shell Wintering the Stock See that all stock goes into winter quarters in good condition and likewise be sure you have sufficient feed to carry them through the winter r s